Suggestie. Emotie. Fantasie. Symbolen. Stemmingen. (82)
Suggestion. Emotion. Fantasy. Symbols. Moods. (82)
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Chapter of Opening the Mouth of Time is a non-stop digital vortex for which I intercut the images of my AntiSade Press Calendar for 2007 with 365 snapshots, more images, notes, words and things from my DAAD-residence in Berlin.
About Me
Blog Archive
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2007
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September
(30)
- September 30 Mechanisms
- September 29 Positions
- September 28 Solution
- September 27 Delirium
- September 26 Seduced
- September 25 Chosen
- September 24 Achievement
- September 23 Screen
- September 22 Period
- September 21 Technique
- September 20 Marginality
- September 19 Deviance
- September 18 Stabilising
- September 17 Hardening
- September 16 Material
- September 15 Career
- September 14 Identity
- September 13 Ambiguity
- September 12 Ritual
- September 11 Bottomlike
- September 10 Catharsis
- September 9 Synthesis
- September 8 Flow
- September 7 Destabilising
- September 6 Continuities
- September 5 Issues
- September 4 Geometry
- September 3 Rigid
- September 2 Dynamic
- September 1 Psychosexual
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September
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Sound: Time is Reallly Good by AMVK. |
When I was about 40 I made a book, sort of an agenda, that I called "Belgian Spleen". Therein I selected thoughts and notes from the past 15 years (1975-1991). I catalogued those writings according to the days of the year they appeared to me. This I did to see if certain thoughts reoccur and evolute related to the seasons. This to find more insight in my inner chaos, where thoughts are hormonally steered, and that is not only a female reality. I know that thoughts are matter, in an other mode of existence. They transform and morph themselves with what enters as daily information, together with what reverberates in memory and the subconscious.
That is also the reason why I repeat the words every month on the same day in "Chapter of Opening the Mouth of Time". To use the arbitrarity of language and name-giving as a nutritive element. As a living element indeed, because every time you see a word reappearing in an other context, at a likely moment in time, something moves on in the brain. That brain tries to intercept a story and a dimension that intrigues. That story and that dimension make the spectator move on. On that moment I also happen to become a spectator. Whilst working I see that this mode of operating parries every moralistic prejudice, which is right away the creative part of the venture.
That is also the reason why I repeat the words every month on the same day in "Chapter of Opening the Mouth of Time". To use the arbitrarity of language and name-giving as a nutritive element. As a living element indeed, because every time you see a word reappearing in an other context, at a likely moment in time, something moves on in the brain. That brain tries to intercept a story and a dimension that intrigues. That story and that dimension make the spectator move on. On that moment I also happen to become a spectator. Whilst working I see that this mode of operating parries every moralistic prejudice, which is right away the creative part of the venture.
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