Stel ik veel dingen uit om het gevoel te hebben dat ik steeds iets te doen heb? (78)
Do I put off many things in order to have the feeling that I have something to do? (78)
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Chapter of Opening the Mouth of Time is a non-stop digital vortex for which I intercut the images of my AntiSade Press Calendar for 2007 with 365 snapshots, more images, notes, words and things from my DAAD-residence in Berlin.
About Me
Blog Archive
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2007
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December
(31)
- December 31 Time
- December 30 Mechanisms
- December 29 Positions
- December 28 Solution
- December 27 Delirium
- December 26 Seduced
- December 25 Chosen
- December 24 Achievement
- December 23 Screen
- December 22 Period
- December 21 Technique
- December 20 Marginality
- December 19 Deviance
- December 18 Stabilising
- December 17 Hardening
- December 16 Material
- December 15 Career
- December 14 Identity
- December 13 Ambiguity
- December 12 Ritual
- December 11 Bottomlike
- December 10 Catharsis
- December 9 Synthesis
- December 8 Flow
- December 7 Destabilising
- December 6 Continuities
- December 5 Issues
- December 4 Geometry
- December 3 Rigid
- December 2 Dynamic
- December 1 Psychosexual
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December
(31)
When I was about 40 I made a book, sort of an agenda, that I called "Belgian Spleen". Therein I selected thoughts and notes from the past 15 years (1975-1991). I catalogued those writings according to the days of the year they appeared to me. This I did to see if certain thoughts reoccur and evolute related to the seasons. This to find more insight in my inner chaos, where thoughts are hormonally steered, and that is not only a female reality. I know that thoughts are matter, in an other mode of existence. They transform and morph themselves with what enters as daily information, together with what reverberates in memory and the subconscious.
That is also the reason why I repeat the words every month on the same day in "Chapter of Opening the Mouth of Time". To use the arbitrarity of language and name-giving as a nutritive element. As a living element indeed, because every time you see a word reappearing in an other context, at a likely moment in time, something moves on in the brain. That brain tries to intercept a story and a dimension that intrigues. That story and that dimension make the spectator move on. On that moment I also happen to become a spectator. Whilst working I see that this mode of operating parries every moralistic prejudice, which is right away the creative part of the venture.
That is also the reason why I repeat the words every month on the same day in "Chapter of Opening the Mouth of Time". To use the arbitrarity of language and name-giving as a nutritive element. As a living element indeed, because every time you see a word reappearing in an other context, at a likely moment in time, something moves on in the brain. That brain tries to intercept a story and a dimension that intrigues. That story and that dimension make the spectator move on. On that moment I also happen to become a spectator. Whilst working I see that this mode of operating parries every moralistic prejudice, which is right away the creative part of the venture.
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