Spanning. Incasseringsvermogen. Veerkracht. (81)
Strain. Stamina. Resilience. (81)
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Chapter of Opening the Mouth of Time is a non-stop digital vortex for which I intercut the images of my AntiSade Press Calendar for 2007 with 365 snapshots, more images, notes, words and things from my DAAD-residence in Berlin.
About Me
Blog Archive
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2007
(365)
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March
(31)
- March 31 Time
- March 30 Mechanisms
- March 29 Positions
- March 28 Solution
- March 27 Delirium
- March 26 Seduced
- March 25 Chosen
- March 24 Achievement
- March 23 Screen
- March 22 Period
- March 21 Technique
- March 20 Marginality
- March 19 Deviance
- March 18 Stabilising
- March 17 Hardening
- March 16 Material
- March 15 Career
- March 14 Identity
- March 13 Ambiguity
- March 12 Ritual
- March 11 Bottomlike
- March 10 Catharsis
- March 9 Synthesis
- March 8 Flow
- March 7 Destabilising
- March 6 Continuities
- March 5 Issues
- March 4 Geometry
- March 3 Rigid
- March 2 Dynamic
- March 1 Psychosexual
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March
(31)
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Sound: Time is Reallly Good by AMVK. |
When I was about 40 I made a book, sort of an agenda, that I called "Belgian Spleen". Therein I selected thoughts and notes from the past 15 years (1975-1991). I catalogued those writings according to the days of the year they appeared to me. This I did to see if certain thoughts reoccur and evolute related to the seasons. This to find more insight in my inner chaos, where thoughts are hormonally steered, and that is not only a female reality. I know that thoughts are matter, in an other mode of existence. They transform and morph themselves with what enters as daily information, together with what reverberates in memory and the subconscious.
That is also the reason why I repeat the words every month on the same day in "Chapter of Opening the Mouth of Time". To use the arbitrarity of language and name-giving as a nutritive element. As a living element indeed, because every time you see a word reappearing in an other context, at a likely moment in time, something moves on in the brain. That brain tries to intercept a story and a dimension that intrigues. That story and that dimension make the spectator move on. On that moment I also happen to become a spectator. Whilst working I see that this mode of operating parries every moralistic prejudice, which is right away the creative part of the venture.
That is also the reason why I repeat the words every month on the same day in "Chapter of Opening the Mouth of Time". To use the arbitrarity of language and name-giving as a nutritive element. As a living element indeed, because every time you see a word reappearing in an other context, at a likely moment in time, something moves on in the brain. That brain tries to intercept a story and a dimension that intrigues. That story and that dimension make the spectator move on. On that moment I also happen to become a spectator. Whilst working I see that this mode of operating parries every moralistic prejudice, which is right away the creative part of the venture.
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